Animation here is treated as a drawing problem extended through time.
I work with traditional and digital 2D animation, flip books, optical devices such as phenakistiscopes and zoetropes, and tactile methods including claymation, puppetry, cut-out animation and stop motion. These are approached as overlapping tools rather than fixed categories.
Much of the work begins on paper and remains visibly handmade: loops, edits and structures are shaped by repetition, rhythm and small mechanical imperfections.
Paper Flippers
Paper Flippers are hand-drawn animations built inside sketchbooks and operated by touch.
The loops shown here are compressed extracts; the original works exist at full scale, synchronised to music [on Instagram], and as physical books.
All GIFs in this section are taken from Mickey Mouth and TRIONGLE, both available in print.
Music Videos
Full-length animated responses to music. Methods vary project to project: hand-drawn animation, collage, stop motion, puppetry, and digital 2D, often combined within a single piece.
Loops
A collection of short, looping animations.
Hand-drawn, low-stakes, and occasionally pointless. Made quickly, often for no reason beyond seeing something move.