Animation here is treated as a drawing problem extended through time.

I work with traditional and digital 2D animation, flip books, optical devices such as phenakistiscopes and zoetropes, and tactile methods including claymation, puppetry, cut-out animation and stop motion. These are approached as overlapping tools rather than fixed categories.

Much of the work begins on paper and remains visibly handmade: loops, edits and structures are shaped by repetition, rhythm and small mechanical imperfections.

Paper Flippers

Paper Flippers are hand-drawn animations built inside sketchbooks and operated by touch.

The loops shown here are compressed extracts; the original works exist at full scale, synchronised to music [on Instagram], and as physical books.

All GIFs in this section are taken from Mickey Mouth and TRIONGLE, both available in print.

Music Videos

Full-length animated responses to music. Methods vary project to project: hand-drawn animation, collage, stop motion, puppetry, and digital 2D, often combined within a single piece.

Loops

A collection of short, looping animations.

Hand-drawn, low-stakes, and occasionally pointless. Made quickly, often for no reason beyond seeing something move.